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A human machine, gears in the chest, standing between conveyer belts.

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This Post Has 9 Comments

  1. Mick

    We exist only to work, bleed and die to the benefit of the billionaire class.

  2. Jen

    We’re not free, very few of us are genuinely free, we’re slaves to the 1%, this has to change!

  3. Paulo

    Powerful poem Bakchos. Sadly it’s one hundred percent true.

  4. Bill Wheatley

    You’ve named something most people only feel in their bodies — that low, persistent hum of being used. And you’re right that the cruelest trick isn’t the exploitation itself, but the rebranding of it. Suffering repackaged as hustle. Exhaustion sold as identity. The grind worshipped because worshipping it is cheaper than escaping it.
    But I want to sit with your final lines, because they carry something the rest of the poem almost buries under its fury. The system survives because the people inside it remain stubbornly, inconveniently human. They still show up for each other. Still share food, time, warmth — none of which appears on any balance sheet.
    That’s not naivety. That’s the actual counter-evidence.

    Capitalism is a powerful poem about power. But power isn’t the whole story, and you know it — otherwise you wouldn’t have written this. You wouldn’t have bothered making something that asks to be felt rather than monetised.
    The tenderness that survives despite the machine isn’t a footnote. It’s the argument.

    The fact that you wrote this, and that someone will read it and feel less alone — that’s not a malfunction.

    That’s everything the system can’t account for.

  5. MAGA FAN GIRL

    Communist rubbish??

    1. Jen

      You’re obviously from a deep red state, probably Florida. Do you even know what communism is?

  6. Nikki

    The poem is a sharp, unflinching blade aimed at capitalism’s heart, strong in its emotional and thematic force but weakened by oversimplification and repetition. It serves as a rallying cry rather than a subtle exploration, earning admiration for its boldness while inviting criticism for its lack of balance. For readers weary of systemic inequities, it’s a cathartic read; for others, a reminder of poetry’s power to provoke, even if it doesn’t fully persuade.

  7. David

    “Engine of Extraction” is undeniably effective as protest poetry, channeling rage into a coherent, compelling narrative that resonates in an era of inequality and gig-economy precarity. Its accessibility—clear language, no esoteric references—makes it shareable and potent for social commentary, potentially inspiring activism or self-reflection among disillusioned readers. The poem’s greatest triumph is its exposure of capitalism’s performative demands: not just endurance, but smiling complicity via social media “grinds.”

    That said, its polemical edge undermines broader appeal. By refusing nuance, it preaches to the converted while alienating those who might see capitalism as reformable rather than irredeemable. As art, it prioritizes message over aesthetic innovation, which may limit its longevity compared to more ambiguous works like those of Bertolt Brecht or Adrienne Rich, who balance critique with complexity.

  8. Richard M

    That poem reads like a manifesto. It’s a powerful protest poem, it has power which should see it outlive its writer.

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